
Saturday 12 November - Concert 1:
Mauricio Carrasco - guitar
Manuela Meier - accordion
Pedro Rebelo - piano
Florian Hollerweger - Unix command line
Patricia Alessandrini - live electronics
Tuesday 15 November - Concert 2:
Mauricio Carrasco - guitar
Timothy Phillips - percussion
Janet Todd - voice
Patricia Alessandrini - live electronics
Saturday 12 November - Concert 1:
Features works that push the boundaries of instrumental practice through research into interactivity, extended techniques, and new forms of notation and communication.
Florian Hollerweger
Programming SoX live coding (with video projection)
Manuela Meier
refract.ed multichannel electroacoustic work
Patricia Alessandrini
menus morceaux par un autre moi réunis, for guitar and live electronics
Mauricio Carrasco- guitar
Andrew Dolphin
Phase Transitions (8 Channel 9')
Pedro Rebelo
Cipher graphic score piece
Manuela Meier - accordion
Pedro Rebelo - piano
Tuesday 15 November - Concert 2:
Features the use of emotions to control musical parameters (through the use of body sensors), instruments that play themselves (virtual acoustic instruments), and performing over a network (telematics).
Pedro Rebelo
Netrooms (specific performance time - first piece)
John D'Arcy
News Feed
David Chisholm
Excerpt #1 from The Experiment, for guitar and live electronics
Mauricio Carrasco - guitar
David Chisholm
Excerpt #2 from The Experiment
Emmanuel Bernardoux - video*
Paul Wilson
The Tuning Machine (stereo tape 10')
Patricia Alessandrini
Mismoded trio with electronics and video
*The participation of Emmanuel Bernardoux, visual artist, is made possible by grants from the Institut français and the City Council of La Rochelle.
Pushing the boundaries of music, the Sonic Art Research Centre presents two compelling concerts for a brave new world. Based at Queen's University Belfast, SARC brings together researchers and composers across music, computer science and electrical and electronic engineering with the central aim to create 'sonic art'.