Jordi Savall & Hespèrion XXI

Jordi Savall

Presented by Melbourne Recital Centre

Details

An exquisite exploration of early music by globally acclaimed interpreters.

For over 50 years, Jordi Savall has remained one of the most versatile musical masters of his generation, rescuing gems from obscurity and returning them to the world for all to enjoy. A tireless researcher into early music, he interprets and performs the repertoire both as viol player and director. In 1974, Jordi Savall and Montserrat Figueras, together with Lorenzo Alpert and Hopkinson Smith, founded the ancient music ensemble Hespèrion XX in Basel as a way of recovering and disseminating the rich and fascinating musical repertoire prior to the 19th century. The name Hespèrion means ‘an inhabitant of Hesperia’, which in ancient Greek referred to the two most westerly peninsulas in Europe: the Iberian and the Italian. At the turn of the 21st century, Hespèrion XX became known as Hespèrion XXI.

Ancient and early music’s most important value stems from its ability as a universal artistic language to transmit feelings, emotions and ancestral ideas that even today can enthrall the contemporary listener. Today Jordi Savall and Hespèrion XXI are central to the understanding of the music of the period between the Middle Ages and the Baroque, and their exquisite performances enable people to freely enjoy the aesthetic and spiritual delicacy of the works of this historical period.

About the concerts

On Thursday 23 February, Jordi Savall and Hespèrion XXI present Fantasies, Battles and Dances: The Golden Age of European Consort Music – vibrant music of the Renaissance and Baroque featuring works by Tye, Alberti, Dowland, Lawes, Ferrabosco, Bach, Purcell, Cabanilles and more.

On Friday 24 February, Jordi Savall and Hespèrion XXI present The Venetian Influences in Musical Europe – a lively exploration of ricercari, capricci, canzoni, sonatas, dances and variations from the Renaissance and Baroque.

Melbourne Recital Centre’s Signature Event is a must-see concert experience for music-lovers who desire to broaden their musical horizon and experience something truly special. With more than 230 recordings and many awards and distinctions including the Midem Classical Award, the International Classical Music Award, Grammy Award and Helpmann Award to his name, Jordi Savall is no exception.

Supported by Yvonne von Hartel AM, Robert Peck AM, Rachel Peck, and Marten Peck of peckvonhartel architects.

COVID Safety

Melbourne Recital Centre is committed to the safety of our artists, staff and patrons. A range of public health, hygiene and physical distancing measures are currently in place. Click here to learn more.

Artists

Artists

Jordi Savall director, viol
Hespèrion XXI

Praise for Jordi Savall

‘That Savall is a master of an instrument long out of currency (the viol being an ancestor to the modern string family) may suggest a musician confined to a limited realm, but no one in early music has ventured as far as he has during the last half century… Savall is simply the kind of magnificent player, and his ensembles such vehicles of unqualified community and joy, that sweetness even seeps into expression of sorrow.’ Los Angeles Times

Programs

Program One: Thursday 23 February

Fantasies, Battles & Dances: The Golden Age of European Consort Music

Innocentio Alberti
Pavan and Galliard of Alberti

Christopher Tye
In Nomine XII: Crye

Robert Parsons
The song called trumpets à 6

Pierre Attaingnant
Pavane ‘La Guerre’

Orlando Gibbons
In Nomine à 5

John Dowland
Semper Dowland, Semper Dolens
The King of Denmark Galliard

Giovanni Maria Trabaci
Durezze e ligature

Giuseppe Guami
Canzon Sopra ‘La Battaglia’ à 4

Anthony Holborne
Galliard

Clement Woodcock
Browning my dear à 5

John Ward
Fantasia No.4

Anonymous trans. Philidor
Pavane de la petite Guerre
Galliarde à 6
Bourée d’Avignonez

Interval

William Brade
Türkische Intrada

Alfonso Ferrabosco
Fantasia à 6

William Brade
Galliard à 6

John Jenkins
The Bell Pavan à 6

Sebastián Aguilera de Heredia
Tiento de Batalla

Samuel Scheidt
Galliard Battaglia

William Lawes
Paven V à 5

Marc-Antoine Charpentier
Concert pour quatre parties de violes
VI. Passecaille

Henry Purcell
Fantasia upon one note

Johann Sebastian Bach
The Art of Fugue BWV 1080
Contrapunctus I
Contrapunctus IX, alla Duodecima

Joan Cabanilles
Corrente italiana (Obertura)

Program Two: Friday 24 February

The Venetian influences in Musical Europe

Anonymous
Danze Veneziane:
Pavana del Re
Galliarda ‘la Traditora’
Pavana ‘el Todesco’
Saltarello

Giorgio Mainerio
Hungaresca

Hieronymus Parabosco
Ricercare XIV ‘Da Pacem’

Andrea Gabrieli
Ricercar VII

Giuseppe Guami
Canzon Sopra La Battaglia à 4
Canzon III à 6

Christopher Tye
Lawdes Deo

John Dowland
Lacrimae Pavan
Sir John Souch his Galiard

Orlando Gibbons
In nomine à 4

Anonymous
Allemande d’amor
Dance

William Brade
A Scottish Dance

Interval

Anonymous trans. Philidor
Pavane du Mariage du Roy Louis XIII
Courante de la Reine d’Angletaire

Luigi Rossi
Fanatasie ‘Les Pleurs d’Orphée’ from Orphée

Guillaume Dumanoir
Sarabande ‘A l’impero d’amore’
Ballet à cheval pour le gran carousel

Samuel Scheidt
Intrada XXII
Paduan VI
Courante IX
Allemande XVI
Galliard VII

Pedro Guerrero
Moresca

Pedro de San Lorenzo
Folía (obra de 1er tono, n.10)

Antonio Martín y Coll
Canarios

Anonymous (from the Codex Trujillo)
Tonada del Chimo
Cachua Serranita

Venue